By Scott E Rupp
from Salem Monthly, Section Music / Nightlife
Posted on Thu Jan 31, 2008 at 11:19:54 PM PDT
From singer Madison Hall and self-taught guitarist Andrew Kendoll's first collaboration of music came the 10-song, self-produced collection called "What If?" All original music compiled late last year by the freshman teen duo, the arrangements and lyrics that populate the album show off the ambition of each performer and demonstrates that their ability may eventually reward them should they continue performing together and honing their respective skills.
But despite the youthful ambition, there's something missing on this homespun disc.
The album begins with "Colors." As its name suggests, it's a colorful love song painting the personality of a loved one and the desire to keep them close. Kendoll and Hall spend several minutes changing tempo, melody and vocal range -- sometimes a bit awkwardly -- with frequency much like changes found in someone's actual personality.
Referencing the colors of a rainbow, waves of the ocean, and grassy fields, the song is full of potential; however, it lacks the depth and lyrical proficiency to help it hit the mark as the ambassador of the album.
Likewise, a song near the bottom of the disc, "Memories of You," could be rich and fulfilling, but it never seems to reach its climax. The song is contemplative, though, and emotionally dark as if a confession, and again shows what may be if this duo continues to work together to tighten its act.
The album's moment of fun, "Summer's Gone," documents the doldrums of a student having to make the inevitable trek back to the school where all freedom is gone, while she dreams of the long, fulfilling days of summer.
Unfortunately, the track -- like most tracks on this album -- seems to lack conviction and passion, which makes it less fun than it should be.
The duo do make an honest and playful attempt at making music throughout, but the mood that resonates throughout the CD is that of two young music lovers having a little fun while making a disc to showcase their work.
On track six, "Speechless," Hall overpowers the voice of Kendoll's guitar picks, and track seven, "When You're Gone" falls flat.
Reminiscent of the rest of the album, these songs lack excitement in their folksy approach and no clear musical theme resides here. Kendoll is plucky with the guitar, yet not powerful; Hall is practiced, yet not perfect in voice.
Still, this could be the beginning of a promising relationship should the two decide to work a bit more and discover their musical mission.
The CD is available to purchase.
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