“Night Watch” commits no crimes
In most “whodunits,” the emphasis is on who committed the crime in question. In Pentacle Theatre’s current production of Night Watch, much of the play asks the question, “Was a crime committed at all?” This is because the dead bodies …
Pentacle’s new play doesn’t live up to its “Potential”
The shows I have seen at Pentacle Theater in Salem aren’t ashamed of their local-theater roots—the cheap sets, the thin costumes—because they know that the strength of the
Suessical mixes complexity, simplicity
“Why Suessical?” asks Robert Salberg, the director of Pentacle Theater’s current production of “Seussical the Musical.” In his note in the show’s program, he tries to explain why













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